Friday, January 27, 2012

What does it matter who is speaking?

In response to T.S. Eliot's Tradition and the Individual Talent, Roland Barthe's, in The Death of an Author, proposes that a "text's unity lies not in its origin but in its destination" (148). It is the reader, rather than the author, that gives meaning to a text. But if this is true, then can we forget the author entirely and, therefore, forget the context in which his or her words were written? Can we look solely at the words in The Custom-House sketch and take it seriously when Hawthorne wrote them as satire? No. Of course it is possible to make an interpretation (psychological, gender-based, etc. . .) of the text itself if one chooses, but to ignore the historical context would erase the original purpose. It is quite possible that one could make a fool of oneself by quoting a phrase or using a symbol that actually means the opposite. Maybe this doesn't matter. We use Dr. Martin Luther King Junior as a symbol for Civil Rights and to promote American tradition, yet the concept of using him as such demotes what the man stood for. Maybe, as long as we take meaning from the words, it doesn't matter what the author originally intended for his work because we can use it for our own purpose.

Even if Barthes had agreed with Eliot, Hawthorne's sketch and Danticat's  Create Dangerously show us that pinpointing an author's intended meaning and context can be an impossible task. Hawthorne teases his readers with an image of himself that he claims to be true, but then he shows us that we will never know his true-self. Danticat presents the idea of the immigrant writer. Her friend, a Haitian novelist, published a book called I am a Japanese Writer. And when asked if he is a Haitian or Japanese writer he replied, ". . .I took the nationality of my reader, which means that when a Japanese reader reads my books, I immediately become a Japanese writer."

It would seem that the author is indeed dead. It is possible to grasp a text without considering the origin. But does the author really hold no importance? In What is an Author, by Foucault, he says that "if we proved that Shakespeare did not write those sonnets which pass for his, that would constitute a significant change and affect the manner in which the author's name functions," and thereby, his work. With this, I think that the author does hold significance for a text and for the readers because it is how they classify and authenticate what they are ingesting. Although this proposition may not hold absolutely necessary, it is one of the functions of an author.

For example, the popular "reality" television series The Hills follows the personal lives of several young adults living in Los Angeles, California. Many a fan did defend the authenticity of the word "reality" and consumed the show as a "real" depiction of protagonists' lives. Others were less convinced and claimed that the young adults in the show were not the authors, or writers, of their own lines and circumstances. They claimed that a production team was behind everything. Possibly a little research could have cleared this up for many, but so many were enthralled with the experience of watching this "reality" show that they neglected to do so. Even if they knew that some aspects of the show were fake, they still clung to the word reality.

On the last season finale, the truth of the reality show was blatantly revealed and, shockingly, many couldn't believe it. This sharp reality (pun intended) hits the viewer just after they finish a nostalgic slide-show of past moments on the show. So can the concept of the author still affect readers/watchers? Discovering that the reality series was not so real changed the context in which the fans experienced the show. The "author" of the series was no longer the person on the show but a writer behind a desk. The author can still matter, to an audience of reality shows anyway. This is recognizable in the way that E News! has advertised the "scandal" that suggests the reality show The Jersey Shore may be scripted.

Below is a clip from the last episode of The Hills. Wait for the moment at 1 min and 10 seconds. If you wish, you may skip to this part.


6 comments:

  1. I agree--The reader can't disregard the author or the author's intent behind a text or a script. I loved the example of "The Hills" because a vast amount of viewers interpreted the show as reality, but ended up being plain and simply wrong. When an author is taken out of the picture, the possibility of an abstract or "out there" interpretation is increases. I believe that the author is necessary to reign in readers' interpretations of the text. Great blog and great example!

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  2. First off, thank you for commenting on my blog Marissa. I was trying to play devil's advocate and write from the opposite of my perspective.

    Second off, I agree with you that the historical significance of the author does play a role in what we are writing. Great example by quoting Foucault.

    Third off, I would like to pose a question. What if the author is unknown, would that still make a difference when reading the text? If you were handed a novel with no name or title and you read it, would the author's context or meaning matter as you read?

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    1. My answer is that I think it is very possible to make many interpretations of a text without considering the author and solely looking at the text. I have done this in previous courses actually. As long as there is textual evidence to back up what you think the text is saying, then you can use it to support your theory. In this post I am not trying to oppress the reader, I am trying to limit the wild and impossible meanings they could derive out of a work by interpreting it without context and I am arguing against Barthes theory that the author is dead. I believe the overall meaning of a text is best found with a mixture of the author's context and the reader's interpretation. For an example to your question, Homer is a made-up author for The Odyssey because no one actually knows who wrote it. People still interpret the Odyssey without considering the actual person who wrote it, but they are able to formulate Homer as an author by considering him or her in the context of the estimated time he or she lived in.

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  3. If a reader disregards authorship and the author's background, and focuses rather on the text and the language itself, does it really necessarily lead to the reader developing wild and impossible meanings or interpretations of a work? Isn't the meaning derived from what the language of a text actually says (meaning that can be backed up with textual evidence), and not whatever the reader is inclined to think based on their views or situation?

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    1. No, I didn't say it necessarily leads to a reader developing wild and impossible intepretations. It can (is able to, does not have to) because there are no limits. For example, by using a metaphor, someone could declare that a piece of literature is a metaphor for a speakerphone. What? Also I do think it is perfectly legitimate to interpret based on the textual evidence alone. I am not saying that the author DOES matter I am saying that the author CAN matter when trying to perform a certain type of interpretation.

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  4. I agree with you that at times a text can be interpreted differently than what the author intended, and I like that you mentioned time as a factor of this 'changed meaning.' Your example of The Hills made an interesting point, and for me it also showed that the concept of "author" does not always mean a person who writes a novel. As you clearly point out, a TV show is a work with authors also, and many times when people are watching TV they don't think about who wrote the script. Good Blog!

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